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Alemania
23/09/2021

A Misremembered Past

Huguet, Le nozze di Figaro © 2021 by Matthias Baus
For its first run of live performances, the production benefitted from both the buzz of a real audience and a generally superior cast to that of the première.Vincent Huguet’s staging, however, remained aggressively bland and perplexingly uninspired, a triumph of sets and costumes over ideas and characters.

Bajo la batuta de Abbado

Bajo la batuta de Abbado, la Berliner Philharmoniker no suena para nada a von Karajan.Ni por asomo a Furtwängler.El maestro supo darle una impronta personal, que ha tenido sus admiradores, pero también sus detractores.

Deutsche Grammophon en el 100 aniversario del Festival de Salzburgo

100 Jahre Salzburger Festpiele © 2020 by Deutsche Grammophon
DG no ha tenido ni el más mínimo interés en ilustrar la etapa fundacional del Festival de Salzburgo, la época de oro de los años treinta, ni el período nazi.Esto es desinformar al consumidor.
Alemania
03/10/2019

The Sound of the Suburbs

Bösch: Die Lustigen Weiber von Windsor © 2019 by Monika Rittershaus
The new production of Die Lustigen Weiber, which opened the Staatsoper’s 2019–20 season, provided an elegant overview of the work’s numerous charms without quite overcoming its limitations.David Bösch’s well-conceived, well-executed staging revelled in the libretto’s potential for physical and situational comedy while Daniel Barenboim’s musical direction had an effervescence that, at various points, suggested Rossini without the invigorating showmanship, or Weber without the fascinating undercurrents of darkness

Intensidad y pluralidad en la 2019-2020 de la Sociedad Filarmónica de Bilbao

Khatia Buniatishvili © Esther Haase /Sony Clasics
La Sociedad Filarmónica, legítimo blasón de orgullo del Bilbao musical, ha presentado su programación para la temporada 2019-2020, una temporada -la 124ª- que a falta de conocerse el detalle de algunos programas resulta simplemente apabullante.
Alemania
13/01/2019

Snowbound

Guth: Violetter Schnee © Monika Rittershaus, 2019
Mr Furrer’s frequently magnificent score was equally steeped in the textural and harmonic language of the same era.Yet if the opera was indebted to the foundational themes and approaches of the previous century, it seemed less a throwback than a careful distillation.
Alemania
25/11/2018

Laser Guided Melodies

Collins: Hippolyte et Aricie © Karl and Monika Forster, 2018
These flaws were often compounded by director Aletta Collins’ apparent indifference to character.Ms Collins approached the work first and foremost as a choreographer, rendering dramatic action subservient to physical movement.

Entrega de los Premios ICMA 2017

El próximo 1 de abril tendrá lugar en la Gewandhaus de Leipzig la entrega de los premios ICMA 2017.El concierto de gala -a las 20.00- estará a cargo de Gewandhausorchester con el director de orquesta Francesco Angelico, el Ensemble Esperanza, el MDR Rundfunkchor y los solistas Elena Bashkirova, Sharon Bezaly, Julia Fischer, Sophie Pacini, Elsa Dreisig, Chouchane Siranossian, Caroline Widmann, Tabea Zimmermann, Gábor Boldoczki, Daniel Müller-Schott, Robert Neumann, Julian Prégardien, Matti Salminen y Jos van Immerseel.
Alemania
04/03/2017

Maiden Voyage

Located in the centre of Berlin, next to St Hedwig’s and Knobelsdorff’s iconic Staatsoper, the outside of the hall bears traces of a neoclassical past, but has been completely gutted and remodelled over the past half-decade.
Alemania
17/02/2017

End Times Revisited

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Philharmonie.Ligeti: Le Grand Macabre.Peter Sellars, director.Pavlo Hunka (Nekrotzar).Peter Hoare (Piet the Pot).Anthony Roth Costanzo (Prince Go-Go).Anna Prohaska (Amanda).Ronnita Miller (Amando).Heidi Melton (Mescalina).
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