A new production of 'Der Schatzgräber' at the Deutsche Oper, was brought to life by director Christof Loy and conductor Marc Albrecht, the team who, in 2018, turned Korngold’s 'Das Wunder der Heliane' into both a surprise success and perhaps the most rewarding instalment in the Deutsche Oper’s ongoing series of early twentieth century ‘rediscoveries.’
Entre Gardiner con el Monteverdi Choir en la inauguración y Bychkov con la Filarmónica Checa y el Orfeón Donostiarra en la clausura, el Festival Internacional de Santander presenta una programación que incluye solistas como Lang Lang, agrupaciones sinfónicas y camerísticas, ópera y danza.
Masterpieces are rare, and masterpieces built on the foundation of other masterpieces are even less common.With ‘Fin de Partie’, however, Kurtág has come very close
Para el final de la ópera Rech decide marchar por otro sendero, fuera del libreto original, algo que desde el punto de vista actual es por demás comprensible.El teniente B.F.Pinkerton no sobrevive a su infamia, para sorpresa del público (y especial regocijo de las damas presentes: “¡lo tiene merecido!“).
Estes apontamentos sobre o naviego Amador Campos fornecem também elementos para entender o que aconteceu com o repertório galego para guitarra na primeira metade do século XX.Não vemos no seu programa obras de autores galegos, e sim uma influência grande dos guitarristas doutras partes da península.
Un programa inteligente y rico en reflexiones sobre las honduras psicológicas que animan a creadores de obras maestras.En este caso el leitmotiv del dolor y, tal vez, la aceptación
El compositor belga Philippe Boesmans falleció el 10 de abril.Destacó especialmente como autor de óperas y música escénica.El Teatro Real de Madrid estrenó en 2012 su 'Poppea e Nerone'
The new production of Don Giovanni at the Staatsoper Unter den Linden has a magnificent cast.The quality of the performances, however, must be weighed against that of the staging.
'Les Vêpres Siciliennes' allowed Mr Py to present a vast canvas of oppression and resistance.With the addition of several great vocal performances and the taut musical direction of Enrique Mazzola, the production turned Verdi’s most conspicuous attempt to adapt his style to Parisian tastes into an engaging spectacle
Mr Barenboim's reading, full of grand gestures and sudden intrusions, strove for the highest possible levels of drama and had little room for tidy formalities.The music that emerged was full of raw, rough edges, unsanded and unpolished, but burning with fresh heat from the cut.