For all that Mr Tcherniakov was willing to drag the themes of the Ring far beyond their normal context, the four evenings of the cycle were balanced by performances that brought out the intoxicating musical qualities that have drawn generations of listeners into Wagner’s world
The evening was first and foremost a musical triumph, with high-quality performances from all of the soloists, although was the first time in the cycle where one was not entirely convinced that all the components of the staging fit into a rigorously conceived whole.
If 'Rheingold' is a purely mythological spectacular, 'Walküre' marks the beginning of the cycle’s shift in the direction of human drama, and in place of continuous set changes, Mr Tcherniakov devoted his energies to extended scenes examining the passions and madnesses that drive the characters
Whatever you were expecting, this probably wasn’t it.Dmitri Tcherniakov’s productions for the Staatsoper Berlin over the past decade have made a point of pushing operatic texts outside their comfort zones in ways that open up new avenues of meaning while retaining the emotional essence of the original
The new production of Don Giovanni at the Staatsoper Unter den Linden has a magnificent cast.The quality of the performances, however, must be weighed against that of the staging.
El año de 1999 fue especialmente prolífico para las grabaciones de 'Der Freischütz': nada menos que tres, dos de ellas -las de Metzmacher y Harnoncourt- de amplia difusión.Termina esta tercera entrega de las versiones videográficas de 'Der Freischütz' con la realizada por Buenos Aires Lírica en 2011.
Staatsoper’s new production of 'La Fanciulla del West' was an unexpected delight.Although it featured three strong principals and a reasonably focussed staging, its persuasive energy came primarily from the eruptions of orchestral emotion.
El homenaje a Beethoven fue repetido en un concierto privado en la residencia de los Barenboim en el distrito berlinés de Dahlem, filmado por el canal de televisión Arte, ya en medio del aumento de las infecciones por la pandemia del coronavirus.
Barrie Kosky explicó que una de las características que más le impresiona en 'Boris Godunov' es la soledad de personajes encerrados en sus propias maquinaciones, que raramente interactúan para aprender algo el uno del otro y así evolucionar existencialmente.